The first Strokes album in seven years picks up pretty much where the last one, 2013’s Comedown Machine, left off — another study in what LCD Soundsystem’s James Murphy once called “borrowed nostalgia for the unremembered Eighties.” Few bands so embody a place and time as the Strokes did New …
Read More »The Strokes Heart the Eighties and Sound Like Themselves on 'The New Abnormal'
